Always in motion is the future.
whoa who is this attractive man and where can I get one
love this shit.
went back to marathoning this shit.
Pre-9/11 cartoons. Dreamy sigh.
Still one of the best animated intros ever.
One of my favourite parts of Winter Soldier was seeing Steve and Natasha disguised as hipster dorks. (welcome to 21st century fashion, Cap! ;))
Hello, world— I want to watch a Black Widow movie because I am a fan of Black Widow, because superhero spy stories are my jam, because I want to see Yelena and Alexi and all of that brought to life and breathing. It is not a generic yearning for a woman-shaped hero movie. I mention gender a lot…
black widow/ Чёрная вдова/ chernaya vdova/ natalia alianovna romanova/ natasha romanoff
From Belfast to LA/NYC/Mars, Miles adrift but inches apart… Gillian Anderson doodles inspired on her latest convo with David Duchovny over twitter! Mulder and Scully take over social media ;)
Don’t miss on the chance to bid for this fantastic keepsake this coming May on Doodle4NF’s auctions.
#neurofibromatosis #doodle4nf #gilliananderson #davidduchovny #xfiles #mulder #scully
|—||Indiewire, confirming what is no doubt the most important plot point of The Amazing Spider-Man 2 (via miss617)|
So much has been written about those few words at the end that Bob whispers into Charlottes’ ear. We can’t hear them. They seem meaningful for both of them. Coppola said she didn’t know. It wasn’t scripted. Advanced sound engineering has been used to produce a fuzzy enhancement. Harry Caul of The Conversation would be proud of it, but it’s entirely irrelevant. Those words weren’t for our ears. Coppola (1) didn’t write the dialog, (2) didn’t intentionally record the dialogue, and (3) was happy to release the movie that way, so we cannot hear. Why must we know? Do we need closure? This isn’t a closure kind of movie. We get all we need in simply knowing they share a moment private to them, and seeing that it contains something true before they part forever.
- Roger Ebert on Lost in Translation